Mike@Pilots Chamber
11-12-2009, 12:03 PM
Okay, this is now a tradition for me whenever one of the Farscape comic series is complete (as in, all four parts released) to write a topic reviewing and discussing it. Of course so far there haven't been many replies, but ho-hum...
Anyhoo, D'Argo's Trial. The guys doing this comic must secretly worship D'Argo. We've had D'Argo's Lament, D'Argo's Trial and coming soon, D'Argo's Quest. The second story NOT to take place after PKW, D'Argo's Lament gives us a rundown on the Luxan's life BEFORE the events of season 1.
You all should know the story, but this also ties in with D'Argo's Lament. After leaving the Luxan army (see D'Argo's Lament), D'Argo meets the Sebacean woman Lo'laan. The two become close as D'Argo is healing and they fall in love. Retiring to a Sebacean colony to tend the land, D'Argo suffers what can best be described as racial insults - not really aided by the odd fit of hyper-rage. Despite this, his and Lo'laan's lives are tranquil enough apart from the occasional visits by... dun-dun-dun - Macton! Yep, he comes along and spoils their fun. Lo'laan soon falls pregnant and gives birth to little Jo'thee. Deciding to run from the PKs so they can be happy, Macton seems very interested in getting High Command to find them. As ever, they do that, Macton kills Lo'laan and blames it all on D'Argo who is subsequently tried and convicted - though a guest appearance by Captain Crais believes otherwise.
So there you have it in a nutshell. It's D'Argo's back story, and while it didn't feel like it needed fleshing out it still makes for compulsive reading.
I must first mention the artwork as I do believe Caleb Cleveland has done an excellent job in both art and colour. It seems very different from the other Farscape comics - a lot less bold, more subdued. There are a lot of blues and browns, very natural colours which helps give the comic a great feel of being set in a different, more relaxed time. The vast majority of the facial detail is great - I particularly like Lo'laan when she and D'Argo are with the Diagnosans - and how everything turns red for D'Argo during hyper-rage. Landscapes are great too - the market scene from issue 1, the scene at Dr Yklem in issue 2, the scene as the PKs land in issue 3, and the large trial scene in issue 4. Also of mention is the look of young Jo'thee - I seem to remember him possibly looking a bit chubbier as a child in They've Got A Secret, but hey.
Once again, the writing for this is top-notch. A lot of it is told by D'Argo, or his subconscious. There are a few laughs as well, in particular "Crichton, the strange, smelly alien". We've got a surprise appearance by Crais who provides some excellent dialogue with the admiral and captain Lorvak. Occasionally we see things from Macton's perspective too - at the end of issue 3 it flits back so we see what happened in the middle of the crime scene.
A great little detail is at the end of issue 4, as D'Argo recounts his life since the trial. We see how he is imprisoned and lives, how Rygel visited him to convince him of an escape plan (now that's a story I want to see) and important scenes since, with guest appearances by *most* of the rest of the Moya crew, season 2/3 Jo'thee, Scorpy and Braca. Seeing as though this is Caleb Cleveland's first time drawing a Farscape comic I'm impressed - though they appear very briefly he's got the crew down to a tee.
I'm really gushing over the art, aren't I?
Covers. Managed to pick up 1A, 1B, 2B, 3B and 4B (no others were available) and am impressed on all accounts. There's more variety than the D'Argo's Lament covers and a couple of montages too. 1A's montage is very impressive, as is 3B with most of the image but D'Argo in a sort-of sepia greyscale.
I honestly can't think what to give this. It is an excellent comic but I'm unsure whether the story itself merits a 5 out of 5. Truth be told, I doubt D'Argo's past could be told in a better way. The story is excellent, is told at just the right pace (this is not an action comic unlike the others - years go by but it just seems right) and the artwork nigh-on perfect.
So I have decided that it IS going to get a full 5 out of 5 (or top marks). Like Gone & Back I can find little fault with it - it's a different sort of story but thoroughly excellent.
Anyhoo, D'Argo's Trial. The guys doing this comic must secretly worship D'Argo. We've had D'Argo's Lament, D'Argo's Trial and coming soon, D'Argo's Quest. The second story NOT to take place after PKW, D'Argo's Lament gives us a rundown on the Luxan's life BEFORE the events of season 1.
You all should know the story, but this also ties in with D'Argo's Lament. After leaving the Luxan army (see D'Argo's Lament), D'Argo meets the Sebacean woman Lo'laan. The two become close as D'Argo is healing and they fall in love. Retiring to a Sebacean colony to tend the land, D'Argo suffers what can best be described as racial insults - not really aided by the odd fit of hyper-rage. Despite this, his and Lo'laan's lives are tranquil enough apart from the occasional visits by... dun-dun-dun - Macton! Yep, he comes along and spoils their fun. Lo'laan soon falls pregnant and gives birth to little Jo'thee. Deciding to run from the PKs so they can be happy, Macton seems very interested in getting High Command to find them. As ever, they do that, Macton kills Lo'laan and blames it all on D'Argo who is subsequently tried and convicted - though a guest appearance by Captain Crais believes otherwise.
So there you have it in a nutshell. It's D'Argo's back story, and while it didn't feel like it needed fleshing out it still makes for compulsive reading.
I must first mention the artwork as I do believe Caleb Cleveland has done an excellent job in both art and colour. It seems very different from the other Farscape comics - a lot less bold, more subdued. There are a lot of blues and browns, very natural colours which helps give the comic a great feel of being set in a different, more relaxed time. The vast majority of the facial detail is great - I particularly like Lo'laan when she and D'Argo are with the Diagnosans - and how everything turns red for D'Argo during hyper-rage. Landscapes are great too - the market scene from issue 1, the scene at Dr Yklem in issue 2, the scene as the PKs land in issue 3, and the large trial scene in issue 4. Also of mention is the look of young Jo'thee - I seem to remember him possibly looking a bit chubbier as a child in They've Got A Secret, but hey.
Once again, the writing for this is top-notch. A lot of it is told by D'Argo, or his subconscious. There are a few laughs as well, in particular "Crichton, the strange, smelly alien". We've got a surprise appearance by Crais who provides some excellent dialogue with the admiral and captain Lorvak. Occasionally we see things from Macton's perspective too - at the end of issue 3 it flits back so we see what happened in the middle of the crime scene.
A great little detail is at the end of issue 4, as D'Argo recounts his life since the trial. We see how he is imprisoned and lives, how Rygel visited him to convince him of an escape plan (now that's a story I want to see) and important scenes since, with guest appearances by *most* of the rest of the Moya crew, season 2/3 Jo'thee, Scorpy and Braca. Seeing as though this is Caleb Cleveland's first time drawing a Farscape comic I'm impressed - though they appear very briefly he's got the crew down to a tee.
I'm really gushing over the art, aren't I?
Covers. Managed to pick up 1A, 1B, 2B, 3B and 4B (no others were available) and am impressed on all accounts. There's more variety than the D'Argo's Lament covers and a couple of montages too. 1A's montage is very impressive, as is 3B with most of the image but D'Argo in a sort-of sepia greyscale.
I honestly can't think what to give this. It is an excellent comic but I'm unsure whether the story itself merits a 5 out of 5. Truth be told, I doubt D'Argo's past could be told in a better way. The story is excellent, is told at just the right pace (this is not an action comic unlike the others - years go by but it just seems right) and the artwork nigh-on perfect.
So I have decided that it IS going to get a full 5 out of 5 (or top marks). Like Gone & Back I can find little fault with it - it's a different sort of story but thoroughly excellent.